Yuseon Park, 2022 Spring

My works focus on making real-time software for Graphic Design and researching cracks that make minority, hierarchical or unequal relationships. This website, “Dogleg Brick,” was created from the perspective of navigation to view the works made during the semester. In particular, this semester’s pieces are laid in the sequence that the beginning is the end and the end is the beginning.
*“Dogleg Brick”: a kinked brick used at the join of two wall planes meeting at an obtuse angle.
*Resource: High Performance, 103 p, Tony Oursler

1
A Recording Score was created to store the recording collections and represent the various relationships between instruction and score. I have been recording sound for a long time; the sound of diverse road surfaces and languages changes the basic structure of time and space. In continuously translating each recording at different times, I encountered a completely different reality. Translation of audio into text allows me to give them a different reality again.

There’s the physical process of being able almost to take the website with a listener on a walk. It is like a Walkman here. Mobility suddenly becomes this space where you can have a very individual experience while in the public area or navigating.

2
Magnetic Film is a hard copy of various sources from devices, such as iPhones and recorders, re-recorded in lo-fi technology. My mobility and oriented information are embedded in the cassette, and the video disappears, leaving only the audio and text relationship. This is a portion where people are sort of like having some type of sensory information withheld from them to make them focus on other sensory information. This notion of separating the sound from the video felt important to me in terms of what that provides for the listener when they’re just listening to consent.

3
Magnetic Film is an image and words collective created from 4779 images extracted from magnetic field traces of cassette tape.

4
From a bunch of physical signatures of recordings, I translated these traces into screens by codings, such as glitches, pixel sorting, and data moshing. Instead of a flow, I wanted to represent the actual process, such as junctures between images, in terms of the production system and the way it’s produced.

So far, this is a sort of meta-project for me. Each project had many junctures and turnarounds. As a single process within it? a diagram or a recipe or some piece of instruction...

5
The Latin alphabet is designed for horizontal writing, and rarely, capital letters are stacked vertically on signage. Rather than “stacking” the Latin alphabet vertically, I planned the letters in a form that could be “written” vertically. In a multi-lingual type world, I expect the change of way of reading to be extended to the shift of thinking, and I decided to experiment with the possibility of form through the way of reading.

6
Inspired by Alex Galloway and Mark Tribe’s Starry Night, Ghost Particle is an alt interface that means alternative ways to visualize and access the archives and texts. These Ghost Particles resemble stars generated from Google Calendar: from 05/22/2012 to 06/24/2022 to explore, wander, and search.

7
To announce a lecture by Ed Atkins, An avatar continuously reproduces and interacts with itself to appear on the screen, as part of the 2022 Photography Visiting Artist Lecture Series.

8
A News Header for News From New Haven. By overlapping letters, I imagined a stencil-like change in color, and the movement of the letters mimicked the movement of the natural wind.

9
The Live of Asako Iwama was created on a 1 hour and 42–minute conversation between Asako Iwama and Yuseon Park on February 11, 2022, at 8:00 AM New York Time and 2:00 PM Berlin Time. On the web, we are far from recognizing how to read. The reader reads the interview in two ways through this web: active and passive, separated by text and images.

10
Created Yale Photo Alumni Panel 2022 Poster by processing. The movement and stillness of the ball and typography were represented in physical posters and digital versions.

11
Stone carving workshop for two days with Nick Benson. I carved for an R in bluestone and on an easel, and the tapping sound was like a performance. There is a big difference in the angle of the arm tapping the tool.

Thank you!